By Joe Farkus, NDG Contributing Writer
The sequel to 2014’s surprise hit Kingsman: The Secret Service, aptly named Kingsman: The Golden Circle, delivers the same dizzying CGI action sequences and punchy humor as its predecessor. Opening with a car chase through the streets of London, head-spinning hand-to-hand combat, and over-the-top special effects all in one sequence, the film sets its tone firmly where fans of the first installment would expect. But it is from this point, however, that things become much less consistent.
After Kingsman – directed by an English director and starred by a largely English cast – found unexpected success and favorable reviews in the U.S., the choice was made to include actors Channing Tatum, Jeff Bridges, and Halle Berry as the Kingsmen’s American counterparts in a clear attempt to provide even greater appeal to American audiences the second go-around. Many moviegoers will be disappointed to find that one the film’s supposed stars – Tatum – spends much of the film in a vegetative state with little actual screen time.
The attempts at including American cultural aesthetics, and particularly cultural and social aspects of the American South, come across as hokey and downright insulting at times. While still entertaining, it is impossible to ignore the almost patronizing efforts to appeal to American audiences; rather than complement the distinct and bold comedic tone, they distract from it.
Director Matthew Vaughn’s generous usage of one particular guest star absolutely saves the second half of the film from its predictable plot. Elton John serves as a shockingly hilarious and potent addition to the cast with moments that serve as the film’s comedic highlights.
As with most sequels, Kingsman 2 does not live up to its remarkably fresh predecessor. Audience members looking for a flashy action flick this autumn will still find entertainment value despite its gimmicky attempts at pleasing American audiences.
Kingsman 2 opens Sept. 22 in theaters nationwide. Parents, please note this film is rated R for mature audiences only.
